MEET THE BAND

Aaron Perlut was raised in Virginia on the sounds of bands like Little Feat, The Byrds, Willie Nelson, Delbert McClinton and others. He moved to St. Louis with only the shirt on his back reading "Future Ex-Wife Approved," and founded Atomic Junkshot with Denzel Whitewell (who ultimately retired after a tragic llama-training accident). From the start, Perlut has been the band's primary songwriter and rhythm guitarist, and Atomic’s spirit grew from the chip he carries on his shoulder towards electronic music. He was determined to pair the analog sounds of country, rock and blues with a sarcastic lyrical edge — following in the footsteps of his heroes like Ray Wylie Hubbard. The band quickly built a large and dedicated underground following playing predominately in gentlemen's clubs and Honky Tonks. Entering the 2000s, after remaining silent about social issues prior, Perlut began advocating for causes like increasing artist compensation, using tire burning farms as clean energy sources, the dangers of "hick hop" country music being spread by Florida Georgia Line and Sam Hunt, and eliminating legal protections for vegans. 

Bassist Clay Mudd was raised in a small town in Mississippi, living in a two-room cabin with his mother and half-sister. At age seven he began honing his musical talents on a borrowed lap steel guitar at a nearby open-air train station under the tutelage of bluesman “Kool” Walker Walker. But he tired of life in the Mississippi Delta, and at 16, dropped music and hitchhiked to Los Angeles. There, he worked odd jobs in restaurants, on pornographic film sets and sold hats and underpants reading "Shart Free" on piers.  Finally, Mudd was inspired to enter a different aspect of performance — landing a role as a stunt double for actor Denver Dell Pyle (Uncle Jesse Duke on The Dukes of Hazzard) — beginning a lengthy career as a stuntman and fluffer. But Mudd would rediscover his passion for music again, picking up bass guitar and ultimately becoming accomplished enough to sit-in for studio gigs with bands like The Byrds, Bread, Tuna & the Fisherman, Winger, the Doobie Brothers, White Lion and Red Nipple among others. After The Dukes of Hazzard ended, he decided to put stunt work behind him and moved east, landing in the Midwest where he joined Atomic Junkshot shortly after the band was formed.

One of the guiding spirits of Atomic Junkshot, Joey Mack is a multi-instrumentalist who principally plays lead guitar, yet all-the-while, has remained unobtrusive and calculating. His vision is thought to emerge from the ether of creativity itself, as a fawn bursts from its mother's uterus. Contrived? Perhaps, just as jesters prance on the river's edge only to discover a golden chalice filled with angel blood. Mack was born in winter near Minneapolis in a moving van to a masculine dentist and beautiful certified public accountant with three hands. He grew proud and strong, wearing tight underpants reading "Meat Sweats," relentless in his work ethic. A sublime musical talent in the spirt of guitar legends Josie McCoy and Floyd Pepper, Mack has the ability to craft powerfully melodic sounds, an unmatched rhythm and has the hand dexterity to provide remarkable shoulder rubs. Frontman Aaron Perlut generally asks other bandmates to play along with his delusions — a request others generally abide by. But with passions rooted in funk and prog rock and inspired by modern folk pioneers like Lord Huron, The Oh Hellos and Gregory Alan Isakov — Mack brings a unique, jazz-infused take on Atomic’s outlaw country sound.

A former hand model and past director of janitorial services at the Massachusetts Institute of Technology (MIT), Brian McCary joined Atomic Junkshot as the band’s drummer after a tragic llama training accident ended the musical performance career of former percussionist Joey Baals. Whereas Baals came from a background of speed metal drumming, McCary — who is commonly referred to as “B-Money” at roller skating rinks throughout Delaware, Puerto Rico and North Dakota — comes from an altogether different place. He has deftly provided the band with a more nuanced percussion style that is deeply infused in a range of jazz, country, rock and Sedaka (a west African rhythmic style named for Neil Sedaka). McCary indeed tends to walk to the beat of his own drum kit, although his playing is often compared to that of the late Cream drummer Ginger Baker (who ironically was a ginger), as well as the Muppets' Animal (also technically a ginger). Either way, Brian's our drummer and he likes to hit shit with sticks